Olivier Messiaen as Serialist
Identifieur interne : 000904 ( Main/Exploration ); précédent : 000903; suivant : 000905Olivier Messiaen as Serialist
Auteurs : Allen ForteSource :
- Music Analysis [ 0262-5245 ] ; 2002-03.
English descriptors
- Teeft :
- Actual versions, Adjacent bars, Allen forte, Atonal music, Blackwell, Blackwell publishers, Boulez, Cambridge university press, Centre, Christian symbology, Chromatic hexachord, Collective pitch array, Complete array, Concert music, Contour, Contour groups, Contour numbers, Cyclic, Cyclic notation, Darmstadt, Darmstadt group, Demisemiquaver, Demisemiquaver value, Dodecaphonic, Dodecaphonic music, Durational values, Dyad, Elizabeth west marvin, Eventail ferme, First pattern, First trichord, Forte, Gajajhampa, Gianmario borio, Gillian weir, Goldene kalb, Hermann danuser, Hexachord, Hexachordal, Initial trichord, Inner interversion, Intervallic motives, Interversion, Interversion transformation, Interversions, Kathryn bailey, Livre, Lower case letters, Melodic space, Messiaen, Messiaen companion, Milton babbitt, Modern music, Motivic connections, Music analysis, Olivier, Olivier messiaen, Order numbers, Order position, Order positions, Order relations, Order transformations, Organisation, Outer interversion, Permutation, Personage, Personnages rythmiques, Pierre boulez, Pierrette mari, Possible interversional combinations, Possible permutations, Pratapacekhara, Princeton university press, Rene leibowitz, Reprises, Retrograde, Retrograde permutation, Rhythmic personages, Same order, Sarasa, Schoenberg, Schonberg, Second movement, Second viennese school, Serial, Serial music, Serial organisation, Serialism, Serialist, Sherlaw johnson, Single notes, Single pitch, Specific sense, Strict interversion, Strict transformation, Symmetrical, Symmetrical arrangement, Symmetrical pairs, Symmetrical sequences, Tala, Total chromatique, Traite, Trichord, Trichordal permutations, Twelvenote rows, Twentieth century, Viennese, Viennese school, Webern, Younger generation, Yvonne loriod.
Url:
DOI: 10.1111/1468-2249.00148
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 002707
- to stream Istex, to step Curation: 002706
- to stream Istex, to step Checkpoint: 000839
- to stream Main, to step Merge: 000905
- to stream Main, to step Curation: 000904
Le document en format XML
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<profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Actual versions</term>
<term>Adjacent bars</term>
<term>Allen forte</term>
<term>Atonal music</term>
<term>Blackwell</term>
<term>Blackwell publishers</term>
<term>Boulez</term>
<term>Cambridge university press</term>
<term>Centre</term>
<term>Christian symbology</term>
<term>Chromatic hexachord</term>
<term>Collective pitch array</term>
<term>Complete array</term>
<term>Concert music</term>
<term>Contour</term>
<term>Contour groups</term>
<term>Contour numbers</term>
<term>Cyclic</term>
<term>Cyclic notation</term>
<term>Darmstadt</term>
<term>Darmstadt group</term>
<term>Demisemiquaver</term>
<term>Demisemiquaver value</term>
<term>Dodecaphonic</term>
<term>Dodecaphonic music</term>
<term>Durational values</term>
<term>Dyad</term>
<term>Elizabeth west marvin</term>
<term>Eventail ferme</term>
<term>First pattern</term>
<term>First trichord</term>
<term>Forte</term>
<term>Gajajhampa</term>
<term>Gianmario borio</term>
<term>Gillian weir</term>
<term>Goldene kalb</term>
<term>Hermann danuser</term>
<term>Hexachord</term>
<term>Hexachordal</term>
<term>Initial trichord</term>
<term>Inner interversion</term>
<term>Intervallic motives</term>
<term>Interversion</term>
<term>Interversion transformation</term>
<term>Interversions</term>
<term>Kathryn bailey</term>
<term>Livre</term>
<term>Lower case letters</term>
<term>Melodic space</term>
<term>Messiaen</term>
<term>Messiaen companion</term>
<term>Milton babbitt</term>
<term>Modern music</term>
<term>Motivic connections</term>
<term>Music analysis</term>
<term>Olivier</term>
<term>Olivier messiaen</term>
<term>Order numbers</term>
<term>Order position</term>
<term>Order positions</term>
<term>Order relations</term>
<term>Order transformations</term>
<term>Organisation</term>
<term>Outer interversion</term>
<term>Permutation</term>
<term>Personage</term>
<term>Personnages rythmiques</term>
<term>Pierre boulez</term>
<term>Pierrette mari</term>
<term>Possible interversional combinations</term>
<term>Possible permutations</term>
<term>Pratapacekhara</term>
<term>Princeton university press</term>
<term>Rene leibowitz</term>
<term>Reprises</term>
<term>Retrograde</term>
<term>Retrograde permutation</term>
<term>Rhythmic personages</term>
<term>Same order</term>
<term>Sarasa</term>
<term>Schoenberg</term>
<term>Schonberg</term>
<term>Second movement</term>
<term>Second viennese school</term>
<term>Serial</term>
<term>Serial music</term>
<term>Serial organisation</term>
<term>Serialism</term>
<term>Serialist</term>
<term>Sherlaw johnson</term>
<term>Single notes</term>
<term>Single pitch</term>
<term>Specific sense</term>
<term>Strict interversion</term>
<term>Strict transformation</term>
<term>Symmetrical</term>
<term>Symmetrical arrangement</term>
<term>Symmetrical pairs</term>
<term>Symmetrical sequences</term>
<term>Tala</term>
<term>Total chromatique</term>
<term>Traite</term>
<term>Trichord</term>
<term>Trichordal permutations</term>
<term>Twelvenote rows</term>
<term>Twentieth century</term>
<term>Viennese</term>
<term>Viennese school</term>
<term>Webern</term>
<term>Younger generation</term>
<term>Yvonne loriod</term>
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